First Three Degrees of Freemasonry by Grant Wood

For many of us outside the United States, the name Grant Wood doesn’t ring any bells. Maybe a painting called ‘American Gothic’ piques some interest, but it is often only when we see the iconic image (widely parodied in American pop culture) do we recognise it, – and still the name of the artist might not really register.

However, it is not this image we are to focus on here, but an earlier piece, created by Wood in 1921, and influenced by Freemasonry. On a recent visit to the Grand Lodge of Iowa Masonic Library and Museums, I discovered a hidden gem – one of the most beautiful artistic representations of The First Three Degrees of Freemasonry.


Grant Wood, Self-portrait 1932, Figge Art Museum.
IMAGE LINKED:  wikimedia Attribution 4.0 International (CC BY 4.0)

Grant DeVolson Wood was born in Anamosa, Jones County, Iowa in 1891. After his father Francis Maryville Wood died in 1901, his mother Hattie moved Grant to Cedar Rapids.

Grant showed artistic talent from a young age and whilst at high school taught himself a variety of handicrafts including jewellery, metalwork, ornamental lighting, and furniture making.

Along with his school friend, the artist Marvin Cone, he painted scenery for the drama group and illustrated school publications. On graduating from Washington High School in 1910, he enrolled in the Handicraft Guild, which was an art school in Minneapolis run primarily by women.

The Guild was central to the Arts and Crafts movement which was active in the city from 1904-1918, and due to its all-female staff and administration, was historically very important in the women’s arts movement in the States.

Revived shortly after the beginning of the 21st century, the Guild is once again a leading light in the Arts in Minneapolis.

Three years later, Grant became a student at the School of the Art Institute of Chicago, where he learnt silversmithing.

His life revolved around artistic pursuits and toward the end of WWI he joined the US military designing camouflage scenes. He then moved back home to his mother’s home in Cedar Rapids where he lived from 1924-1935; the loft of the carriage house was his personal domain and art studio.

He painted many of his most famous works in the studio including American Gothic (1930), Midnight Ride of Paul Revere (1931), and Daughters of the Revolution (1932).

The studio is now owned and preserved by the Cedar Rapids Museum of Art, the holders of the world’s largest collection of works by Grant Wood.


 American Gothic (1930), Art Institute of Chicago By Grant Wood
IMAGE LINKED:  wikimedia Attribution 4.0 International (CC BY 4.0)

During the 1920s, Wood – along with Marvin Cone – travelled to Europe to study art, including Impressionism and Post-Impressionism, but it was Jan van Eyck, (and other 15th century Flemish artists), well known for the Arnolfini Portrait, and his beautiful triptychs, who was to influence Wood’s work significantly.

Wood’s art is representative of what is known as ‘American Regionalism’, a realistic modern art movement that arose out of the Depression era, and Wood, along with fellow artists Thomas Hart Benton and John Steuart Curry, became known as the ‘Regionalist Triumvirate’.

All three had studied art in Paris, and Regionalism was a kick-back against the European (and particularly Parisian) influence on artists.

Regionalism limited the spread of abstract art, which allowed American art to gain confidence, instead of relying on European styles.

It was a blend of nationalism and romanticism, something which resonated strongly for Americans during the Great Depression, reassuring them of pride in their heartlands.


 left: Portrait of Thomas Hart Benton, 1935, Carl Van Vechten – Photographer. Image: Library of Congress Prints and Photographs Division Washington, D.C (
John Steuart Curry, self-portrait, 1937 (wikimedia)
IMAGE CREDIT: and wikimedia Attribution 4.0 International (CC BY 4.0)

During the 1930s, Wood helped found the Stone City Art Colony, located near to his hometown of Anamosa.

It was set up in 1932, along with Edward Rowan, Adrian Dornbush and Marvin Cone, to help artists in the Midwest find a creative outlet during the Great Depression.

This venture led to Wood employing many of the artists to produce Depression Era murals (including the United States post office murals) in what was part of the innovative Public Works of Art Project(PWAP), which was developed to help bring professional artisans back into the workforce, and ran for six months between 1933-34.

Wood was the administrator for the PWAP in Iowa state and many of the ‘American scene’ (Regionalism) style murals created during that time can still be seen in post offices and public buildings throughout Iowa.


The General Store in Stone City, Anamosa, IA, near where Grant Wood and the Art Colony were situated.
IMAGE CREDIT:  Philippa Lee

The Influence of Freemasonry  

Grant Wood triptych, “The First Three Degrees of Freemasonry”, oil on canvas, framed size: 32.375″ high x 89.5″ long. Collection of the Grand Lodge of Iowa’s Masonic Library and Museums, Cedar Rapids, Iowa.

Reproduced by kind permission of the Trustees of the Grand Lodge of Iowa’s Masonic Library and Museums, Cedar Rapids, Iowa.

Copyright Notice: ©2017 Mark Tade, all rights reserved, no usage without prior written permission.

Aside from his Regionalist paintings, one of Grant Wood’s most beautiful creations was also one of his earliest and is entitled ‘The First Three Degrees of Freemasonry’.

It is a much-underestimated piece, which now resides in the Museum of the Grand Lodge of Iowa in Cedar Rapids.

Bill Kreuger, Curator of the Grand Lodge of Iowa’s Masonic Library and Museums very kindly provided some fascinating facts about Grant Wood, and his masterpiece.

Not much is known about Grant Wood’s brief Masonic career, spanning only three years, but we know he was initiated, passed, and raised as a Freemason in May and June 1921, as a member of Mount Hermon Lodge No. 263 in Cedar Rapids.

He was suspended for non-payment of dues in March 1924. We are not sure why he did not pay his dues, one biographer indicated that he did not join non-artistic organizations, except the American Legion.

We think John Turner, who owned the mortuary behind the Museum, may have paid his initial fees, but that has not been verified

The painting was completed in 1921, and was commissioned by Past Grand Master (PGM) George Schoonover for the National Masonic Research Society located in Anamosa, IA.

The National Masonic Research Society published The Builder, one of the better Masonic research/reference periodicals of its day, its Editor was esteemed Freemason and author, Joseph Fort Newton.

It was published in Anamosa and Cedar Rapids from 1915 to 1922 and was one of many publications to come out of the region.

‘The First Three Degrees of Freemasonry’ is a beautiful example of Wood’s early work before he embraced Regionalism.

Evident are some obvious influences of fin de siècle Art Nouveau and the emboldened new Art Deco movement in Paris at the time he studied there; this was the kind of cultural influence he later came to reject in favour of ‘American scene’ realism.

The painting is a triptych (a nod perhaps to van Eyck), and the three panels, although distinct in the expression of the Three Degrees, blend seamlessly into one representation of Freemasonry’s inner journey.

There is clear evidence of inspiration from other artists. The Whitney Museum of American Art described the painting thus:

Wood grounded his image in the Masonic legend of Hiram Abiff, chief architect of King Solomon’s Temple, whose murder by individuals attempting to extract a secret password from him underscores the importance in Freemasonry of fidelity and the certainty of death. 

From left to right, Wood illustrates the building of the temple, its completion, and its decay, setting within those panels auxiliary themes of man carving his own destiny, the equality of human beings, and the contemplation of life in old age.

Wood modeled the statuary in the painting on The Builder by Czech-American artist Albin Polasek (1879–1965), Michelangelo’s David, and Auguste Rodin’s The Thinker.

First Panel – the First Degree


left: The left panel (the First Degree) – Grant Wood
right: Man Carving his Own Destiny, Albin Polasek, c. 1908 – Photo: By Ivannah
RIGHT IMAGE LINKED:  wikimedia Attribution 4.0 International (CC BY 4.0)

The left panel (the First Degree) shows a statue forming itself. This is a work of art created by Albin Polasek, who was a Czech-American sculptor.

Polasek became an instructor at the Art Institute of Chicago in 1916. The work he created is entitled ‘Man Carving his own Destiny’ and was featured as the frontispiece of The Builder in December 1916.

The allegoric ‘temple’ is being built, the Man creates himself from the rough stone into the perfect being, firmly placed upon a solid foundation.

The working tools are evident and the column behind the figure is in the process of construction.

Middle Panel – the Second Degree  


left: The middle panel (Second Degree) – Grant Wood
right: Michelangelo’s David
RIGHT IMAGE LINKED:  wikimedia Attribution 4.0 International (CC BY 4.0)

The middle panel (Second Degree) has two men half-embraced holding the Letter G and the Level.

Above them the portico, with the all-seeing eye is partially hidden, perhaps representing the hidden aspect of G-d, yet the golden rays enlighten the figures beneath.

The fact they are unclothed seems to suggest that Masonry is a fraternal society where everyone is on the same level and espousing the ideas of equality and fraternity.

Sometimes the clothing we wear indicates our status in society. The fact they are embracing indicates Brotherhood. It is surmised that Wood got inspiration for the figures from Michelangelo’s ‘David’.

If you look to the left of the central panel you will notice that the foliage in the foreground is lush and the stone balustrades are complete but as your eye is drawn to the right of the image, towards the third panel, you become aware that the stonework is beginning to crumble, the foliage is becoming old and gnarly. 

Third Panel – the Third Degree  


left: The Third Degree (right hand panel) – Grant Wood
right: ‘The Thinker’, 1904, Auguste Rodin.
RIGHT IMAGE LINKED:  wikimedia Attribution 4.0 International (CC BY 4.0)

In the Third Degree (right hand panel) is a representation of ‘The Thinker’ by Rodin, showing a figure in contemplation. 

The architecture in the background is now falling apart, the column is broken and time is running out – old age, the shadow of death is upon us; the figure contemplates his mortality.

Bill Kreuger told me, that like myself, there are often visitors to the Library and Museums who do not know who the artist, Grant Wood is. ‘When we mention one of the more famous works he created, “American Gothic,” visitors will say “oh yeah, now I know!”’

Although the image is available to view on the internet via Fine Art America, or Wikipedia, the physical painting displayed in the Grand Lodge of Iowa Library and Museums, with its subtle triptych framing, represents the true colours, not only physically but also the spirit of Grant Wood’s appreciation of Freemasonry.

It is well worth a visit purely to stand and contemplate the work of a Master Mason and a master craftsman – Wood’s Masonic painting remains an inspiration for many.

We would like to extend our grateful thanks to Bill Kreuger and the Trustees of the Grand Lodge of Iowa Library and Museums for the information on Grant Wood and permission to reproduce the image of the original painting held at the Museum.

Further reading and resources:

Grand Lodge of Iowa Library and Museums

813 First Avenue SE, Cedar Rapids, Iowa

Office hours: 
Monday through Friday
8:00 AM – 12:00 PM
1:00 PM – 5:00 PM

Mailing address: 
The Iowa Masonic Library
P.O. Box 279,  Cedar Rapids, IA 52406-0279

Phone: (319) 365-1438
Fax: (319) 365-1439

Email: Most Worshipful Brother Craig L. Davis – Grand Secretary email

Cedar Rapids Museum of Art (CRMA)
Grant Wood: From Farm Boy to American Icon


About Grant Wood via CRMA


Grant Wood’s Studio 

Grant Wood’s home and studio is located at 5 Turner Alley, Cedar Rapids.

Article by: Philippa Lee. Editor

Philippa Lee (writes as Philippa Faulks) is the author of eight books, an editor and researcher.

Philippa was initiated into the Honourable Fraternity of Ancient Freemasons (HFAF) in 2014.

Her specialism is ancient Egypt, Freemasonry, comparative religions and social history. She has several books in progress on the subject of ancient and modern Egypt.  Selection of Books Online at Amazon

Recent Articles: Masonic Art series

Masonic Art NFT Projects

Experience the power of Masonic art like never before with our handpicked selection of NFT collections now available on Opensea. Discover stunning works of art from talented artists across the world, all inspired by the ancient traditions and symbols of the Freemasonry. Don't miss out on the chance to own a piece of history - start exploring our Masonic art NFT projects today!

Digital Freemasonry NFT Marketplace

Unlock the digital realm of Freemasonry with our exclusive NFT marketplace, designed for the modern-day Masonic community. Become one of 333 founders of Digital Freemasonry and gain access to a range of cutting-edge digital tools for the craft. Own a unique NFT as confirmation of your contribution to this ground-breaking initiative. Join us in shaping the future of Freemasonry - start exploring our NFT marketplace now!

Tubal Cain Masonic Aprons

Experience the legacy of Tubal Cain like never before with our unique collection of Masonic apron NFTs. Each of the 1,000 digital designs are one-of-a-kind and serve as a symbol of Masonic pride and tradition. And for those who prefer to have a physical item, these designs are also available as collectible aprons. Don't miss out on this rare opportunity to own a piece of Masonic history - start exploring our Tubal Cain Masonic apron NFTs now!

Freemasonry and Music

Discover the transcendent power of music through the eyes of John Philip Sousa. In a world where beauty intertwines with divine inspiration, music becomes a celestial language. Sousa's belief in melodies born from higher realms challenges us to seek the profound, divine connection in our creative expressions. Let music elevate your soul.

Is this What They Call Love

In a world brimming with wonder, pain, and confusion, the concept of love transcends all boundaries. In this thought-provoking poem, the poet dives into the depths of existence, questioning the nature of love, its transformative power, and the eternal quest to understand its true essence. Prepare to explore the enigma of love, as this poem delves into its many dimensions.

Exhibition showcasing Masonic, Odd Fellows art

Art and education in the Hoyt’s newest exhibition, "Mystery & Benevolence: Masonic and Odd Fellows Art", explores the art and accessories of two fraternal organizations steeped in symbols and coded systems, from special handles, gestures and passwords to ritualized performances that probably come from the Middle Ages.

Embodying Masonic Values

Since 2018, The Masonic Library and Museum of Pennsylvania’s “Embodying Masonic Values” open art competition has provided an opportunity for participants to explore Masonic values through art. Cash prizes are awarded to winners in five categories: Oil, Three-dimensional, Drawing and Print-making, Water-Based Medium and Digital Imagery. Most artwork is also available for sale.

Freemasonry in Popular Culture P4 - TV

Part 4 of our series on Freemasonry in Popular Culture takes a look at some of the TV series that feature Freemasonry. With much intrigue into the supposed machinations of the Freemasons within business, politics and the police force, TV was a ripe medium for ridicule and sensationalist anti-Masonic propaganda.

Freemasonry in Popular Culture P3 - Comic Books and Graphic Novels

Part 3 of our series on Freemasonry in Popular Culture takes a look at some of the comic books and graphic novels that feature Freemasonry.

Freemasonry in Popular Culture P2 - Film

Following on from Part 1 of Freemasonry in Pop Culture we take a look at Masonic depictions in film.

Freemasonry Membership NFT

Freemasonry-membership is a mysterious NFT project that would be built across the Metaverse. Taking the idea from virtual lodges, the project is a huge mystery in terms of assets and value for the user.

Freemasonry in Popular Culture P1 - The Art of Satire

Freemasonry has been the subject of satire and lampooning since its inception in the 1700s courtesy
of cartoonists such as Hogarth and Gillray, but the 20th century gave it far more prominence in what we now consider 'popular culture'.

First Three Degrees of Freemasonry by Grant Wood

For many of us, the name of the artist Grant Wood doesn’t ring any bells. But on a recent visit to the Grand Lodge of Iowa Masonic Library and Museums, I discovered a hidden gem – Grant Wood's vision of 'The First Three Degrees of Freemasonry'.

'Song of Songs' - the Shir HaShirim

Freemason, composer and artistic director Laurențiu Ganea announces the premiere of his long-awaited composition of the 'Song of Songs' - the Shir HaShirim (also known as the 'Song of Solomon').

Outlandish Freemasonry

Martin Bogardus explores the Masonic characters and symbolism within the hugely successful 'Outlander' books and TV series.

The Masonic Art of Ari Roussimoff

The Art, Masonic Aprons, and Magic of Ari Roussimoff - interviewed by Elena Llamas

Four Times of the Day - Night

Hogarth's mockery of Freemasonry. A humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor.

Tae a Virus

This entertaining and infectious poem was written by an Ayeshire poet

masonic knowledge

to be a better citizen of the world

share the square with two brothers

click image to open email app on mobile device

Masonic Apparel

made to order

Share this article ....