The History of the York and Scottish Rite in Freemasonry
By: Henry Ridgley Evans
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages.
Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world’s literature in affordable, high quality, modern editions that are true to the original work.
Freemasonry And The Birth Of Modern Science
By: Robert Lomas
The latest book from Robert Lomas, co-author of The Hiram Key and The Second Messiah. Freemasonry and the Birth of Modern Science continues the Freemasonry saga by exploring its roots in The Royal Society, a group dedicated to the pursuit of scientific study.
In a time when superstition and magic governed reason, the repressive dogma of Christian belief silenced many, and where a turbulent political and economical background dominated, these men forbade any discussion of religion at their meetings.
Lomas claims that modern experimental science was born out of The Royal Society, which was secretly funded by The Invisible College, which is known today as Freemasonry.
Freemasonry and the Visual Arts
By: Reva Wolf (Editor), Alisa Luxenberg (Editor)
With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art.
This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation.
As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts.
This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor.
Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging-porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more-and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices.
In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.
The Origins of Freemasonry
By: Margaret C. Jacob
Can the ancestry of freemasonry really be traced back to the Knights Templar? Is the image of the eye in a triangle on the back of the dollar bill one of its cryptic signs?
Is there a conspiracy that stretches through centuries and generations to align this shadow organization and its secret rituals to world governments and religions?
Myths persist and abound about the freemasons, Margaret C. Jacob notes.
But what are their origins? How has an early modern organization of bricklayers and stonemasons aroused so much public interest? In The Origins of Freemasonry, Jacob throws back the veil from a secret society that turns out not to have been very secret at all.
What factors contributed to the extraordinarily rapid spread of freemasonry over the course of the eighteenth century, and why were so many of the era’s most influential figures drawn to it?
Using material from the archives of leading masonic libraries in Europe, Jacob examines masonic almanacs and pocket diaries to get closer to what living as a freemason might have meant on a daily basis.
She explores the persistent connections between masons and nascent democratic movements, as each lodge set up a polity where an individual’s standing was meant to be based on merit, rather than on birth or wealth, and she demonstrates, beyond any doubt, how active a role women played in the masonic movement.
The Masonic Myth
By: Jay Kinney
The Masonic Myth by Jay Kinney is an accessible and fascinating history of the Freemasons that sheds new light on this secret fraternity.
A nonfiction look at the mysterious and wrongly maligned ancient society that plays a major role in The Lost Symbol, the new novel by Dan Brown (The Da Vinci Code), Kinney’s The Masonic Myth debunks the myths as it reveals the truth about the Freemasons, their history, and their secret symbols and rituals—a truth that is far more fascinating than all the conspiracy theories combined.
making good men better
share the square with two brothers
click image to open email app on mobile device